Don Emilio calls on us each week. My sisters
watch him like hungry cats: Juanita,
so thin she pokes holes in the sheets,
sour-lipped Pilar, and poor Ines
with her crooked back. But it is to me
his black eyes most often wander.
Mama serves him coffee,
and tightly rolled flautas. Our guest picks
at the food, boasts of his villa
in Guanajuato; immaculate hands dip
and hover like jewelled birds.
I have begun to suspect
that Don Emilio is not looking for a wife.
.
Gentleness and Its Enduring by salshep, literature
Literature
Gentleness and Its Enduring
All Gentleness And Its Enduring
People from a planet without flowers would think we must be mad with joy the whole time to have such things about us. ~Iris Murdoch
Pothilas set his briefcase down on the hallstand and paused to appreciate the afternoon light that lent his white-on-white decor an almost sanctified air. The apartment was warm. Too warm. He hung up his Directors robes and hurried toward the biotank in which Sverta lay limply, sunk deep in her fluid, her tubes and filaments rustling. The sun was unseasonably hot, and it wasnt as though she had the freedom to shift away from its glare. He frowned and clos
Poets are constantly crippled, creatively. It's the way it works. You write a line and, just now, right now, it seems like it's the best line in the world to date. It's a shiny, beautiful line, a thought, an image so remarkably profound that you are in awe of yourself, or (if you are a seasoned poet) in awe of that angelic being which sits on high in your mind and occasionally drops little scraps of poetic manna into your head. Now, you only need to write a poem around it.
And fail.
Because the poem takes over, sprouts a million legs and scurries in directions you had no real intention of it going and now the Wondrous Line of Glory a
Hangs from your spine
like an incomplete, conjoined sibling
with no mind of its own
but enough of yours to make you fear it.
Comes when you are sleeping
to perch on your face and dip its beak
redly into your dreams.
Shucks its claws
on the upholstery of your flesh.
Is a fog-eyed poet, reading aloud to you
endless reams of his own passionate,
excruciating verse.
Squats in the waste it has made of you,
a basilisk-child
you dare not look in the eye.
Remembers the body when it moved
with the ease of light across a lakes delicate skin.
Watches your babies grow
skins so thick they cant feel you.
Is an illusion
overcome
You're on the lawn, pickled
as a paper-bag philosopher, mouth full
of copper and oxidised vinegar
eyes oystering ant-sand and your cheeks wet
as the tracks of unhappy snails.
It's almost dawn, it's cold. The bastard
left you, and you've fallen over
in the garden coming up the path to home.
By morning, frost crackles
across the black hump of your back -
soon you'll be glaciered to the grass,
face iced to your coat-sleeve,
and the great, frozen spectacle
of you will grind its way, ten inches a year,
toward the porch. Some day
they'll discover you, the remains
of dandelions stuck in your teeth, fresh
as ten thousand years ago.
Do not let them see you blink,
Mother said, so I am careful to turn
away when my eyes dry out. My grip
on the brush is clumsy. Colours speck
and dazzle, slop like foam on rocks;
the teacher dabs their brilliance
from my flaking arms. Children whisper
behind starfish hands; they go to play
in the bright, hot yard but I stay in,
as Mother told me. Below the window
theres a tank of golden fish that circle,
circle, following their own reflections.
I dip my fingers in to scoop one up,
watch it flip and shine, cool in my palm,
and press my face deep into the water.
Membranes slide across my thirsty eyes.
I breathe, and breath
Witches
So you thought we were gone
when our blackened bones had burned to coals
and you'd washed our ash
from the back of your throat. When you exhale
into the face of your wife, does she smell us?
Lately at night, familiar as cats,
we've taken to creeping about your dark home
reeking of bonfires, empty-headed
pumpkins, poppets of wormwood and rue.
In dream you consume us, come
morning, you dare not
pass a hedge or linger where three roads meet.
We are slowly collecting your fluids
and fallen hair, diffusing our dust
into all of your meals. Soon we'll leach
like salt from your skin, fly
on specks of spittle, out
of your
.
I: Insecta
I snap: a sling-shot
of sinew, tendons whipped
to joints that buckle in lines as cleanly creased
as an origami crane. Poised on a tripod of paper tips,
I anticipate the wind but there is only steel
shearing bone and then it all unfolds
with a scritch-scratch and tickle
of segmented limbs sprouting,
barbed as berry-canes.
II: Hymenoptera
My skin
once fed on your skin;
sipped at honeyed pores
with a thousand tiny, hollow tongue
It starts with a metronomic
drip-splat, each drop a bastinado
blow on the feet of sleep.
Floundering from our half-
cold bed, I navigate the room
like a blind albatross until the bitch
of a stubbed toe stops me.
Something gurgles,
deep in the house. Rust runnels
down walls we painted ivory.
I find the sink choking,
the refrigerator dead, puddles
rising, like stigmata, on the lino.
The kettle boils itself.
It's been three weeks since you left
this house. I thought by now
it would have stopped grieving.
.
.
Give your burden the mane of a lion. Of yourself,
make a kraal. Split your heart
and fashion its two halves into a pair of goats.
Tether one to a stake. Then pull all the shades
for darkness, barricade the door,
listen for a nervous bleat, a skitter of hooves
in the mind's dirt. Feel nothing when the animal
screams. Believe: it's only a goat.
And here, the art - a bloody thorn, a twist
of hair will show you how the lion gets in, where
to dig the trap. When it is dead
burn the carcass. When the winds have drunk
the last of its ash, you'll still have one good goat.